The “Ancient Musicians” of the Naxi (pronounced “Na-shee”) Orchestra are tuning up as Xuan Ke takes his place at the podium. He is younger than many of the musicians, being only in his seventy-seventh year. The standing-room only crowd gives him a thunderous applause. He addresses them in three languages: English, Mandarin, and Naxi—the ethnic dialect of the area. He has been ill, he tells them, so tonight he will conduct only the first part of the concert, then an apprentice will take over. He introduces the musicians, describes their instruments, and acquaints the audience with the history of the ancient music. Then the concert begins.
In Lijiang, China, the “Ancient Musicians” of the Naxi Orchestra again play the traditional music, banned during the Cultural Revolution.
The concert hall is unheated and cold, but the music is warm, beautiful and haunting. We are seated in one of the front rows of the hall, a beautiful building in the old town of Lijiang, located in a picturesque valley in China’s Yunnan province. Though it is January, there are plenty of tourists, most of whom are Chinese.
The Naxi Orchestra is made up of 20-24 members, many in their 80′s and 90′s, dressed in bright traditional costumes. Tonight, because of the cold, we catch glimpses of jeans and warm Western clothing beneath their silk brocaded Chinese gowns. They are playing traditional Chinese stringed instruments like the guzheng, guqin and erhu, accompanied by the dizi—the Chinese bamboo flute. Although they play some traditional Han music (Han are China’s largest ethnic group accounting for 90% of the country’s population), they specialize in dongjing, a type of Taoist temple music that has been lost elsewhere in China. The melodies evoke waterfalls, birdsong, and other sounds from nature.
Xuan Ke, the venerable Conductor, popular in China and worldwide, has a shock of dark hair and dark skin. Born in 1930, the musicologist and former village school teacher first learned about music from American Pentecostal missionaries. At the urging of his merchant father, he studied Western music at the Kunming Academy. He became passionate about exploring the instrumental music, chants and folk songs of the remote mountain villages in the foothills of the Himalayas.
Naxi Orchestra conductor Xuan Ke addresses the audience in the city of Lijiang, China.
